Hendrik Petrus Berlage is one
of the most important renovators of Netherlands' architecture
at the end of the 19th century. He is born in Amsterdam in 1856.
After failing artschool he studies architecture at the Zürich
Institute of Technology under Gottfried Semper from 1875 until
1878, after which he travels extensively through Europe. Back
in Amsterdam in 1882 he starts working at the office of Theodorus
Sanders. Together they design several buildings in neo-Renaissance
style, including a first design for the Amsterdam commodities
exchange. In 1884 they form a partnership. From 1889 Berlage is
working on his own, and designs in the then fashionable style
of Jugendstil. In that year he presents himself at the World Exhibition
in Paris with the design for a mausoleum, a plea for eternal peace.
A first hint at Berlage's utopian socialistic ideas. In a wave
of political naivity he later even makes a design for a mausoleum
for Soviet dictator Lenin. A more important consequence of his
socialism is the idea of Community Art (Gemeenschapskunst); artists
of various disciplines working together on art that serves the
community. Several of Berlage's important designs were made in
this spirit.
Berlage is best known for his final design for the Amsterdam commodities
exchange. The style in which this building is built becomes known
as Rationalism. Important elements of this style are the honest
use of materials (all used materials should be recognizable),
clarity of construction (no unnecessary ornamentation) and craftmanship
in the execution. Brick is the preferred material of use, although
natural stone is used for parts that need accentuating. Walls
are usually completely flat, with the sparse decorative elements
flush with the walls. This building is considered to be the beginning
of modern architecture in the Netherlands, and although representing
only a phase in Berlage's career, it remains a major influences
until well into the 1950's. Several protestant architects, like
Tj. Kuipers, design churches in a
style close to Berlage's style. The traditionalistic architects
of the Delft School,
especially A.J. Kropholler, continue
this style long after Berlage has abandoned it, and develop it
even further using Berlage's ideas. On the other hand the Amsterdam School in its
first years is partially a reaction to Berlage's assumed conservatism,
with an expressionistic style that definitely breaks the rules
of honest use of materials and clarity of construction.
A visit to the U.S.A. in 1911 has a great impact on Berlage's
work. The work of Henry Hobson Richardson, Louis H. Sullivan,
and especially Frank Lloyd Wright become important influences
until the end of his career.
Later in his career Berlage becomes more active in town planning.
His plan for the enlargement of Amsterdam-South (1914-1915) is
the most important project. Berlage also designed furniture, and
even wrote several plays. Berlage died in Den Haag (The Hague)
in 1934, to where he had moved his office in 1913.
The following is a small selection from Berlage's work.
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1894 Groningen (Gr): Heymans house
House and laboratory for Gerardus Heymans, doctor of filosophy and psychology. |
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1895 Amsterdam (NH): office-building
Office building for the insurance company 'De Nederlanden van 1845' in Jugendstil-style. |
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1895 Den Haag (ZH): office-building
Another office building for the insurance company 'De Nederlanden van 1845'. The original design sported many Jugendstil influences with several balconies and an open gallery on the top floor, which were all removed by reconstructions in 1902 and 1907 resulting in the current more rationalistic appearance of the building. |
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1898 Den Haag (ZH): Villa Henny
Villa for Carel Henny, director of insurance company 'De Nederlanden van 1845'. |
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1898-1903 Amsterdam (NH): commodities exchange
Berlage's most famous work is the result of a long process. Already in 1883 Berlage and Sanders enter a design in an international contest, in which it reaches the fourth position. Although the finale is held in 1885 it takes until 1897 before Berlage is finally commissioned. The finished building is one of the most influential in Dutch architectural history, and the absolute highlight of the style of Rationalism. |
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1899-1890 Amsterdam (NH): Diamond Workers Union building A building which is often compared with a fortress, with its sober brick walls, tower and battlement-like ornaments at the roof. |
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1913 Den Haag (ZH): house
In 1911 Berlage travels through the USA and becomes acquainted with the work of Frank Lloyd Wright. Influences of Wright's work are present in the design of this house in the form of the projecting roofs. |
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1914 Den Haag (ZH): Shop and office-building Meddens & Zn.
Design influenced by the work of Louis Sullivan. |
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1915-1920 Otterlo (G): hunting lodge St. Hubertus Hunting lodge for A.G. Kröller. Building with complex groundplan in the shape of a deer's antlers and a tall tower. |
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1925 Den Haag (ZH): kiosk
Concrete kiosk for selling flowers. |
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1925-1926 Den Haag (ZH): Christian Science church
Berlage's only religious building is this church for the First Church of Christ, Scientist. |
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1926 Den Haag (ZH): office-building
Another building for insurance company 'De Nederlanden van 1845'. Originally two storeys high. A third story was added later by architect W.M. Dudok in 1954, according to Berlage's plans. |
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1927-1935 Den Haag (ZH): Municipal Museum
Museum in the style of Frank Lloyd Wright. Picture courtesy of the maker of the Pages about The Hague (external link, opens in new window). |